Married Life" and "Miss Pettigrew Lives for a Day"**.

Beyond the John-light portions of the movie, I have to say that I was distracted by both George Clooney's and Renee Zellweger's performances, they were both altogether too "cutesy". Renee was so clearly trying to play a ball-buster
dame reporter type, and unfortunately she just couldn't pull it off. I blame mostly the script, and a lack of backstory/development. I got that Lexie Littleton was a feminist and trying to make it in a man's world, but the "why" was lacking. I've had problems with a couple of other movies recently trying to capture the feel of another era. Both "Married Life" (set in the 1940s) and "Miss Pettigrew Lives for a Day" (set in 1939) have bothered me with one or more actors playing characitures of their roles. Taking a look at "Married Life", I thought overall it was a really good film, with excellent performances, and surprisingly funny. Rachel
McAdams was more than adequate in her role, although there was just a slight feeling that she wasn't too sure how to play her at times. I should say out of all of the films this one felt the most authentic, and none of the actor's ever 'brought me out' of my viewing experience - which is huge for me. It was after watching that I sort of needed more from her character. A commentator on imdb.com - victoryman (from Canada) said that "if Kay (Rachel's character) is a girl worth betraying your best friend and killing your wife for, (we) need to see more of her to see why - pretty just doesn't cut it." I totally agree, I think in the past, Kay may have been played as more of a femme fatale, all vamp and sex, but still vulnerable. It just doesn't happen here.


In "Miss Pettigrew Lives for a Day", my issue is that Amy Adams nearly overdoes it in the beginning. She's all breathy exclamations, and high-pitched "ooh!s and oh no!s". Very Marilyn at times. She mellows out as the film goes on, and approaches something very near a character arc. Now that I think about it, the role of Delysia Lafosse is something I actually think Marilyn would have been amazing in. It's a role that requires a careful mix of sexuality and innocence. Kay(asinlilah) and I actually disagreed a little bit here on the complete characterization of Delysia. However even with the over-the-top melodrama of the first act, by the end I was completely charmed into loving the film.
Leatherheads, on the other hand, had me grumbling by the end. Getting into more of the nitty-gritty of the movie; I felt like there was little-to-no-plot, and that the big "scandal" that was the sole reason for Renee's existence in the movie wasn't so bad. I mean, I honestly thought, "what's the big deal?" Carter (John's character) did save the day. Yeah, he was a hero by accident and he lied about some of the finer points (which was wrong) but it still happened, and really, who cares about the details? So I was little miffed about that a couple of other things - namely, that there was no chemistry between George and Renee, and not to be petty, but there were scenes when both her hair and clothes were a mess! My feelings are - if you're doing a period film, let the costumes look good!
Highlights include: any moment that John Krasinski was on screen, George's twitch-y comedic timing, and Stephen Root as comic relief at all times.
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